Archivio | 16/08/2020

Sassi e ali – Rocks and wings


Sassi e ali

Nella vita c’è chi resta fermo,
cerca solo sassi o macigni per non muovere passi
verso l’ascolto del Cuore e manifestare la propria leggerezza.
Il sasso lo scaglia chi non sa danzare, non ci prova neppure
e teme di restare bloccato con un macigno nel cuore.
Chi non ha tempo e voglia di raccogliere sassi,
chi si scrolla tutto di dosso, sa restare affascinato
dall’incanto dell’attimo e danza,
apre le ali oltre tutte le mura che rinchiudono
in gabbie gli altri, con preconcetti e senso di superiorità.
Ma siamo noi i danzatori, quelli che possono scegliere
se restare bloccati con i sassi in tasca o lasciarli,
perdendosi in una danza,una danza che non svanisce,
che vale nella misura in cui noi sappiamo credere
alla percezione di attimi d’incanto
perché è solo questa la nostra vera natura
e stiamo male se ci facciamo contagiare
da chi ha perso per strada la propria capacità
di vivere la Vita nel suo senso più vero.
13.02.2012 Poetyca

Rocks and wings

In life there are those who remain stationary,
search only stones or boulders for not moving steps
Listening to the Heart and express their lightness.
The stone throws those who can not dance, do not even try
and fears of being stuck with a boulder in the middle.
Who has time or inclination to gather stones,
Who is shaking everything off, you know being fascinated
enchantment of the moment and dance,
spreading its wings all over the walls that enclose
in the other cages, with preconceptions and sense of superiority.
But we are the dancers, who can choose
if you get stuck with rocks in your pocket or leave them,
lost in a dance, a dance that does not vanish,
that applies to the extent that we believe we know
the perception of moments of charm
because this is only our true nature
and we’re bad if we do infect
those who have lost their capacity for road
to live life in its truest sense.
13.02.2012 Poetyca

Sorridendo – Smiley


Sorridendo

“Di tanto in tanto per ricordare a noi stessi per rilassarsi e stare tranquillo, possiamo desiderare di mettere da parte un po ‘di tempo per un ritiro, una giornata di consapevolezza, quando siamo in grado di camminare lentamente, sorridendo bere il tè con un amico piace stare insieme come se siamo le persone più felici sulla Terra. “
– Thich Nhat Hanh Essere Pace
Smiley
“From time to time, to remind ourselves to relax and be peaceful, we may wish to set aside some time for a retreat, a day of mindfulness, when we can walk slowly, smile, drink tea with a friend, enjoy being together as if we are the happiest people on Earth.”
― Thich Nhat Hanh, Being Peace

Origami – Haiku


🌸Origami 🌸

Piego il foglio
e lancio origami
tra le nuvole

07.05.2020 Poetyca
🌸🌿🌸#Poetycamente
🌸Origami

I will fold the sheet
and I launch origami
between the clouds

07.05.2020 Poetyca

Promesse – Promises


🌸Promesse🌸

Ancora
attese
di infiniti
attimi
e sale
negli occhi

Il vento
s’insinua
accarezza
i capelli
e lusinga
il cuore

08.08.2020 Poetyca
🌸🍃🌸#Poetycamente
🌸Promises

Wait
more
endless
instants
and salt
in the eyes

The wind
creeps
shakes
hair
and flatters
the heart

08.08.2020 Poetyca

Oltre ogni stagione – Over all seasons


Oltre ogni stagione

L’amore non conosce tempo
ma si concede istanti eterni di condivisione,
di fanciullesca bellezza e gioia

Cercami quando
la goccia tocca la superficie del lago
Cercami quando
la coccinella spicca il volo
verso l’infinito
Cercami nel respiro e nell’attimo
per cogliere dove sono

– Con te, in te e per te Vita –
e forza che non conosce abbandono
espansione di cerchi che toccano la sponda
dell’essere presenza nel silenzio
e sono infinito dono nel respiro ansante del Cuore
– estasi e congiunzione con l’Universo –
per questa meraviglia che non smette
neppure se chiudessi gli occhi
o finisse il respiro ad ancorare al tempo

Con te sono danza e nascondimento
tra colori ed incanto che armonizzano Amore
gioco della Vita che si manifesta oltre ogni stagione

06.08.2006 Poetyca

Over all seasons

Love knows no time
but you grant eternal moments of sharing,
of childlike joy and beauty

Find me when
the drop touches the surface of the lake
Find me when
the beetle takes flight
to infinity
Find me in breath and in the moment
to understand where

– With you, in you and your life –
and strength that knows no surrender
expansion of circles that touch the shore
Being there in silence
and are infinite in gift panting breath of the Heart
– Ecstasy and conjunction with the Universe –
for this wonder that never ceases
even if your eyes to blind
or finish the breath to anchor at the time

With you are dancing and concealment
between color and charm that harmonize Love
Game of Life that manifests itself over every season

06.08.2006 Poetyca

Ogni giorno – Every day


sunset10

Ogni giorno

Ogni giorno è da vivere
come un sogno sempre proiettato
sulle pareti del nostro incanto
Ogni giorno è la scoperta
respiro vivo in impareggiabile ricchezza
sbocciata ora tra ali d’amore
Ogni giorno è quel profumo
dono e fragranza che rinnova
di alba in alba l’esistere

13.05.2015 Poetyca

Every day

Every day is a living
like a dream always projected
on the walls of our enchantment
Every day is the discovery
living breath in incomparable richness
now blossomed between wings of love
Every day is the smell
gift and fragrance that renews
sunrise in the dawn exist

13/05/2015 Poetyca

Poesia – Poetry


🌸Poesia🌸

Intreccio
di parole
scavalca
ogni confine

Pensieri
aprono
le ali
e ti raggiungo

Carezze
animano
anime
in viaggio

09.08.2020 Poetyca
🌸🍃🌸#Poetycamente
🌸Poetry

Interweaving
of words
overrides
every border

Thoughts
open
wings
and I’ll join you

Caresses
animate
souls
travelling

09.08.2020 Poetyca

Attesa – Waiting – Emily Dickinson


🌸Attesa🌸

“Non sapendo
quando l’alba arriverà,
tengo aperta ogni porta.”

Emily Dickinson
🌸🍃🌸
Waiting

“Not knowing
when the dawn comes,
I keep every door open. ”

Emily Dickinson

Jimi Hendrix Greatest Hits


[youtube https://www.youtube.com/watch?v=PQyGrPw8P50&list=PLMKA5kzkfqk2GEImRCIqGqWmQvKYygUhG]

Jimi Hendrix, all’anagrafe James Marshall Hendrix (Seattle, 27 novembre 1942Londra, 18 settembre 1970), è stato un chitarrista e cantautore statunitense.

È stato uno dei maggiori innovatori nell’ambito della chitarra elettrica: durante la sua parabola artistica, tanto breve quanto intensa, si è reso precursore di molte strutture e del sound di quelle che sarebbero state le future evoluzioni del rock attraverso un’inedita fusione di blues, rhythm and blues/soul, hard rock, psichedelia e funky.[3]

Secondo la classifica stilata nel 2011 dalla rivista Rolling Stone, è stato il più grande chitarrista di tutti i tempi. Si trova infatti al primo posto della lista dei 100 migliori chitarristi secondo Rolling Stone, precedendo Eric Clapton e Jimmy Page.[4]

Due sue esibizioni, in particolare, sono entrate di prepotenza nell’immaginario collettivo: il suo esordio al festival di Monterey del 1967, in cui concluse la performance dando fuoco alla sua chitarra davanti ad un pubblico allibito, e la chiusura del festival di Woodstock del 1969, durante la quale, con dissacrante visionarietà artistica, reinterpretò l’inno nazionale statunitense in modo provocatoriamente distorto e cacofonico.[5]

Hendrix è stato introdotto nella Rock and Roll Hall of Fame nel 1992.[6]

http://it.wikipedia.org/wiki/Jimi_Hendrix

James MarshallJimiHendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American guitarist, singer, and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as “arguably the greatest instrumentalist in the history of rock music”.[1]

Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army; he was granted an honorable discharge the following year. Soon afterward, he moved to Clarksville, Tennessee, and began playing gigs on the chitlin’ circuit, earning a place in the Isley Brothers‘ backing band and later withLittle Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight and the Squires before moving to England in late 1966 after being discovered by Linda Keith, who in turn interested bassist Chas Chandler of the Animals in becoming his first manager. Within months, Hendrix had earned three UK top ten hits with the Jimi Hendrix Experience: “Hey Joe“, “Purple Haze“, and “The Wind Cries Mary“. He achieved fame in the US after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the US; it was Hendrix’s most commercially successful release and his first and only number one album. The world’s highest-paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 beforehis accidental death from barbiturate-related asphyxia on September 18, 1970, at the age of 27.

Hendrix was inspired musically by American rock and roll and electric blues. He favored overdriven amplifiers with high volume and gain, and was instrumental in utilizing the previously undesirable sounds caused by guitar amplifier feedback. He helped to popularize the use of a wah-wah pedal in mainstream rock, and was the first artist to use stereophonic phasing effects in music recordings. Holly George-Warren of Rolling Stone commented: “Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began.”[2]

Hendrix was the recipient of several music awards during his lifetime and posthumously. In 1967, readers of Melody Maker voted him the Pop Musician of the Year, and in 1968, Billboard named him the Artist of the Year and Rolling Stone declared him the Performer of the Year. Disc and Music Echo honored him with the World Top Musician of 1969 and in 1970, Guitar Player named him the Rock Guitarist of the Year. The Jimi Hendrix Experience was inducted into the Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. Rolling Stone ranked the band’s three studio albums, Are You Experienced, Axis: Bold as Love, and Electric Ladyland, among the 100 greatest albums of all time, and they ranked Hendrix as the greatest guitarist and the sixth greatest artist of all time.

http://en.wikipedia.org/wiki/Jimi_Hendrix

Una perla al giorno – Katha Upanishad


mandala g

Dal cuore umano si dipartono
cento e uno nervi (percorsi vitali).
Uno di essi sale al cervello,
alla corona composta da mille petali.
Passando al momento della morte per questa via,
si raggiunge il regno dell’immortalità.
Ma se il prana discende per altre vie,
si tornerà indietro verso una nuova nascita.

Katha Upanishad, III, 16

Hearted human branch
one hundred and one nerves (paths viable).
One of them salt to the brain,
the crown composed of a thousand petals.
Turning to the time of death in this way,
You reach the realm of immortality.
But if the prana comes down in other ways,
We come back to a new birth.

Katha Upanishad, III, 16