Risultati della ricerca per: 2003

R.E.M. – Best of R.E.M. – In Time (1988 – 2003) – Full album.


I R.E.M. sono stati un gruppo rock statunitense attivo dal 1980 al 2011.[2]

Formatosi ad Athens (Georgia) il 5 aprile 1980 (data riconosciuta dalla stessa band come atto di fondazione vera e propria del gruppo, che provava assieme sotto diversi nomi già dal 1979), la sigla R.E.M. sta per rapid eye movement, la fase del sonno in cui si sogna; i componenti del gruppo scelsero tale nome anche perché “suonava bene”. La pronuncia inglese è lettera per lettera (/ɑː iː ɛm/), ma in italiano viene generalmente pronunciata come acronimo (“rèm”).

Nell’arco degli ultimi 25 anni, i R.E.M. sono stati riconosciuti come uno dei gruppi più importanti per la definizione dell’estetica della musica underground e indie degli Stati Uniti.[3] La loro influenza, infatti, si estende ancora oggi su moltissime formazioni, etichette e scene musicali.[4]

Il gruppo ha virtualmente definito l’espressione “rock alternativo” degli anni ottanta (college rock)[5], dimostrando alle stazioni radio, un po’ alla volta, che trasmettere brani con prevalente uso delle chitarre non era una cosa negativa.[6]

Nella loro trentennale carriera hanno venduto all’incirca 85 milioni di dischi.[7]

http://it.wikipedia.org/wiki/R.E.M._%28gruppo_musicale%29

R.E.M. was an American rock band from Athens, Georgia, formed in 1980 by singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills, and drummer Bill Berry. One of the first popular alternative rock bands, R.E.M. released its first single, “Radio Free Europe“, in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band’s first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single “The One I Love“. The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.

By the early 1990s, when alternative rock began to experience broad mainstream success, R.E.M. was viewed by subsequent acts such as Nirvana and Pavement as a pioneer of the genre and released its two most commercially successful albums, catapulting it to international fame, Out of Time (1991) and Automatic for the People(1992), which veered from the band’s established sound. R.E.M.’s 1994 release, Monster, was a return to a more rock-oriented sound, but still continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three band members. In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. Its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than expected. The following year, Bill Berry left the band, while Buck, Mills, and Stipe continued the group as a trio. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success, despite having sold more than 85 million records worldwide and becoming one of the world’s best-selling music artists of all time.[4] In 2007, the band was inducted into the Rock and Roll Hall of Fame. R.E.M. disbanded amicably in September 2011, announcing the split on its website.

http://en.wikipedia.org/w/index.php?title=R.E.M.&oldid=655457124

Pubblicità

Ed è attesa – It  is waiting …


Ed è attesa…

Momenti di pausa,riflessione
su quanto è stato,sul numero di ostacoli
pronti a sbarrare il cammino.

Colori svaniti che cercano brillantezza.

Silenzi che non trovano ascolto,
perchè anche il silenzio potrebbe cercare
la comunicazione,quando,incapaci di fidarsi
di chi sa porre ostacoli al nostro parlare
con le maschere che indossa ci induce
ad adattarci ad un mondo superficiale.

Ci si trova da soli senza nessuno in ascolto.

Si comprende l’inutilità di ogni passo
compiuto tra sagome che vuote sanno solo guardare
e nella valutazione del senso del nostro valore
temiamo quel futuro incerto che nascosto nell’ombra
sembra incapace di donare qualcosa.

Ma tra un’ ala non ancora aperta
ed un germoglio che cerca vita
tutto ancora potrebbe cambiare
con la forza ed il desiderio di trovar luce
che faccia brillare ogni nostro colore.

14.03.2003 Poetyca

 

It  is waiting …

Moments of pause and reflection
on what has been, the number of obstacles
ready to block the path.

Faded colors looking bright.

Silences that are not listening,
because the silence could try
communication, when, unable to trust
of those who can put obstacles in our speech
with the masks he wears makes us
to adapt to a superficial world.

You are alone with no one listening.

One understands the futility of every step
made between shapes that they can only look empty
and evaluation of the sense of our value
uncertain future that we fear that hidden in the shadows
seems unable to donate something.

But in a ‘wing unopened
looking for life and a bud
everything could change again
with the strength and the desire to find light
that might shine all our color.

14.03.2003 Poetyca

Quando scrivi – When writing


Quando scrivi

Quando scrivi puoi sentire dentro sensazioni accese da quello che vedi intorno,
da emozioni che prorompono e ti ci adagi piano…
Tendi l’orecchio del cuore e assapori ogni istante.
Comunicare è desiderio di portare quanto hai scoperto,
quanto è inciso e temi di perdere come i cristalli
di ghiaccio che perdono le loro geometrie se compare il sole,
eppure il sole riscalda e si dona.
Ogni attimo è ricchezza che sfiori piano, per paura di perdere ogni cosa…
Ti accorgi che se racconti o scrivi quello che giace semiaddormentato dentro di te
hai la capacità magica di dar vita agli stessi sorrisi o alle stesse paure
in chi assorbe e raccoglie le tue parole,ti accorgi che se leggi o ti raccontano
di paure o sogni tu stessa sei capace di raccoglierne ogni aspetto.
Un pensiero è una freccia scagliata che attraversa l’infinito e annulla
il tempo se lo scrivi e lo regali a chi lo raccoglie.
Ti accorgi di quanto sia illusione credere distante altre persone
che possono leggerti dentro se solo raccolgono quanto scrivi.
Allora nulla è distante se tutti possono attraversare la strada che porta
al tuo cuore…
Basta uno spazio bianco da riempire con tanti caratteri che composti insieme
possono dare senso a parole e immagini interiori,
basta proiettarsi verso lo spazio e restituire a se stessi e agli altri
la dimensione dei pensieri nati improvvisi come lampi da catturare.

Tutto questo è un percorso magico che apre la porta che da cuore a cuore
permette una comunicazione oltre le parole e quanto è possibile dire.
Scrivere non deve mai essere usato come arma,si deve infatti sempre servire
la coerenza e la verità, abbiamo infatti un’opportunità per donare il meglio possibile, nel rispetto di se stessi e degli altri, della Poesia e dell’Arte che non vanno strumentalizzate come mezzo di offesa ma vanno rispettate apportando un contributo sincero, senza competizioni,
senza disprezzare il lavoro degli altri,senza derubare quanto altri condividono.
Scrivere è confronto con se stessi,trasmettere sentimenti è una responsabilità che ci deve insegnare ad avere la mente sgombra, ad offrire sempre coerenza e la parte migliore di noi stessi, per portare sempre amorevolezza e compassione.

08.04.2003 Poetyca

When writing

When you write you feel burning sensation inside that you see around
burst of emotions that we sit and we plan …
I listen the heart and savor every moment.
Communicating is the desire to bring what you have discovered,
what is engraved and themes of losing like crystals
ice lose their geometry if you see the sun,
yet the sun warm and giving.
Each moment has richness that touches floor, for fear of losing everything …
You realize that if you tell or write what lies half asleep inside of you
you have the magical ability to create the same smiles and the same fears
who absorbs and collects in your words, you realize that if you hear or read
fears or dreams you yourself are able to collect every aspect.
A thought is an arrow shot through the infinite void
time if you write and gifts to those who collect.
You realize how far illusion to believe other people
that can read in only if you collect what you write.
So far nothing is where everybody can cross the road
to your heart …
Just a blank to be filled with so many characters that all compounds
can give meaning to words and images within,
just projected into space and return to themselves and others
the size of thoughts born from sudden lightning capture.

All this is a magical journey that opens the door from heart to heart
allows communication beyond words and what you can say.
Writing should never be used as a weapon, it must always serve
consistency and truth, we have an opportunity to give it the best we can, respecting themselves and others, of poetry and art that can not be exploited as a means of offense but must be respected by making a sincere contribution, without competition ,
not despise the work of others, without robbing what others share.
Writing is compared with themselves, convey feelings is a responsibility that we must teach to have an open mind, to offer more consistency and the best part of ourselves, to bring more kindness and compassion.

08.04.2003 Poetyca

The Clash – Full Concert – 03/08/80 – Capitol Theatre (OFFICIAL)


[youtube https://youtu.be/CLKl6FIBH0U]

I Clash sono stati un gruppo musicale british punk britannico. Attivi dal 1976 al 1986, furono uno dei gruppi più acclamati dalla critica del periodo. Formati principalmente da Joe Strummer (voce, chitarra ritmica), Mick Jones (chitarra solista, voce), Paul Simonon (basso, voce) e Nick “Topper” Headon (batteria, percussioni). Headon lasciò il gruppo nel 1982, e Jones nel 1983, il gruppo proseguì con nuovi membri negli anni successivi, ma all’inizio del 1986 si sciolse definitivamente.

I Clash erano famosi per la loro varietà musicale (nel loro repertorio trovano posto reggae, dub, rap, rockabilly e altri generi), per la sofisticatezza lirica e politica che li distingueva dalla maggior parte dei loro colleghi appartenenti al movimento punk e per le loro esibizioni dal vivo particolarmente intense. Inseriti al trentesimo posto nella classifica degli artisti immortali stilata dalla rivista Rolling Stone, i Clash sono anche noti come The Only Band That Matters (l’unico gruppo che conti).

https://it.wikipedia.org/wiki/The_Clash

The Clash were an English punk rock band that formed in 1976 as part of the original wave of British punk. Along with punk, their music incorporated elements of reggae,dub, funk, ska and rockabilly. For most of their recording career the Clash consisted of Joe Strummer (lead vocals, rhythm guitar), Mick Jones (lead guitar, vocals), Paul Simonon (bass guitar, vocals) and Nicky “Topper” Headon (drums, percussion). Headon left the group in 1982, and internal friction led to Jones’s departure the following year. The group continued with new members, but finally disbanded in early 1986.

The Clash achieved commercial success in the United Kingdom with the release of their debut album, The Clash, in 1977. Their third album, London Calling, released in the UK in December 1979, earned them popularity in the United States when it was released there the following month. It was declared the best album of the 1980s a decade later by Rolling Stone magazine. In 1982 they reached new heights of success with the release of Combat Rock, which spawned the US top 10 hit “Rock the Casbah”, helping the album to achieve a 2× Platinum certification there. Their final album, Cut the Crap, was released in 1985.

The Clash’s politicised lyrics, musical experimentation, and rebellious attitude had a far-reaching influence on rock, alternative rock in particular.[2] They became widely referred to as “The Only Band That Matters”, originally a promotional slogan introduced by the group’s record label, CBS. In January 2003, shortly after the death of Joe Strummer, the band—including original drummer Terry Chimes—were inducted into the Rock and Roll Hall of Fame. In 2004, Rolling Stone ranked the Clash number 28 on their list of the 100 greatest artists of all time.

Critic Sean Egan summarised what made them exceptional by writing, “They were a group whose music was, and is, special to their audience because that music insisted on addressing the conditions of poverty, petty injustice, and mundane life experienced by the people who bought their records. Moreover, although their rebel stances were often no more than posturing, from the Clash’s stubborn principles came a fundamental change in the perception of what is possible in the music industry, from subject matter to authenticity to quality control to price ceilings.”

https://en.wikipedia.org/wiki/The_Clash

Mimosa


Mimosa
Ondeggia al vento
la tua bionda chioma
mentre tra le tue fronde
un passero riposa
Presenza pudica
che non cerca attenzione
mostri un timido sorriso
nella spuma fiorita
Restringi la foglia
al tocco invadente
di chi vuol carpire
la tua anima segreta
In voli radenti
con piume arruffate
e nascosti momenti
raccolti nel nido
Tra il mirto e il giaggiolo
lo sguardo sfiora
lo spazio tra il muro
e la leggiadra mimosa
19.02.2003 Poetyca
Mimosa

Swaying
your blonde hair
while among your branches
a sparrow rests
Modest presence
not seeking attention
shows a shy smile
floral foam in
Narrow leaf
Touch-intrusive
of those who want to steal
your secret soul
In flybys
with ruffled feathers
and hidden moments
collected in the nest
Between the iris and myrtle
the sight touches
the space between the wall
and the graceful mimosa
19.02.2003 Poetyca

Pagine nuove – New pages


Pagine nuove

Vengo a trovarti qui
tra queste tue pagine
che son nuove
anche se nate da lontano
per porgerti parole
che contengano una goccia
di gioia insieme ad un pensiero
per augurarti un viaggio sereno
tra le onde della vita

Brezze e carezze
nei sospiri di cielo
che nutrono speranze
e colorano gli attimi
con colori d’arcobaleno

Respiri del tempo
che ha inciso il passo
nelle pieghe del cuore
e sei qui a farti domande
su un destino in attesa
di risposte nuove

Socchiudi gli occhi
e raccogli i sogni
che mai smettono
d’accompagnare
istanti preziosi
senza prezzo

Sorridi ancora
mentre puoi respirare
quel dono prezioso
che palpita eterno
perché la vita
mai smette di donarsi
e di donare istanti
d’immenso valore

26.06.2003 Poetyca

New pages

I come to see you here
between these on your pages
who are new
even if born from a distance
to give us words
containing a drop
together with a thought of joy
wish you a peaceful journey
the waves of life
Breeze and caresses
the sighs of the sky
Hopes are that
and the color moments
colors of the rainbow
Breath of time
which affected the pace
in the folds of the heart
and are here to ask questions
a destiny waiting
new answers
Close my eyes
Pick up your dreams
that never stop
to accompany
precious moments
no price
Smile again
while you breathe
that precious gift
that beats forever
because life
never ceases to give himself
and to give instant
of immense value
26.06.2003 Poetyca

Deus


I dEUS sono un gruppo musicale indie rock di Anversa (Belgio), nato all’inizio degli anni novanta e tuttora attivo.
Il loro stile è caratterizzato da una eclettica combinazione di elementi tratti da diversi generi musicali, in particolare rock, punk, blues e jazz, in cui si
riconoscono l’influenza di artisti eterogenei quali Velvet Underground, Captain Beefheart, Charles Mingus e Leonard Cohen.
Il nucleo originale dei dEUS, formato da Tom Barman, Stef Kamil Carlens, Klaas Janzoons e Jules De Borgher, si formò nel 1991 ma pubblicò il primo album in studio nel 1994.

Il loro lavoro di debutto, Worst Case Scenario, viene talvolta considerato uno degli album più influenti degli anni ’90, e rivela già completamente
l’eclettismo stilistico di questa band. Vi si trovano elementi che ricordano Sonic Youth, Yo La Tengo e Pixies, composti in un art rock arricchito di soluzioni jazz e sperimentali.

Nel 1993 si unisce a loro l’eclettico chitarrista e pittore Rudy Trouvé, artefice delle copertine dei primi lavori, che lascerà la band due anni dopo.

Nel 1995 i dEUS pubblicarono un EP intitolato My Sister Is My Clock composto da una sola traccia della durata di 25 minuti e composta a sua volta da 13 brevi tracce.

Nel 1996 il loro secondo album In a Bar, Under the Sea, rispetto al precedente più orientato a soluzioni melodiche e pop, pur interpretate in uno spirito arty.

Dopo l’abbandono di Carlens (che decide di formare una band tutta sua, i Moondog Jr.), il gruppo pubblicò The Ideal Crash (1999), il loro disco più conosciuto, nel quale il gruppo riuscì a fondere l’anima psichedelica e alla continua ricerca di nuove sonorità, con quella più intima e pacata. In questo album infatti sono presenti canzoni che ricordano lo stile di Worst Case Scenario, come ad esempio la traccia d’apertura Put the freaks up front e la title track The Ideal Crash, ma anche canzoni più melodiche come Sister Dew e Instant Street, per finire al lo-fi di Dream sequence #1.

Barman nel 2003 scrive e dirige il film Any Way the Wind Blows.

Nel 2004 Barman ruppe il silenzio, collaborando con C.J. Bolland alla creazione del progetto di musica elettronica chiamato Magnus. Diversi cambiamenti di organico portarono più volte la band sul punto dello scioglimento. Nel 2005, tuttavia, Barman ha pubblicato (insieme a una formazione rinnovata e inedita:
Klaas Janzoons, Stéphane Misseghers, Alan Gevaert e Mauro Pawlowski) il quarto album dei dEUS, Pocket Revolution.

Nel 2007 il gruppo è tornato in studio per registrare il quinto lavoro dal titolo Vantage Point uscito il 21 aprile del 2008. A questo lavoro collabora Karin Dreijer Andersson dei Knife (in Slow). La protagonista del videoclip del singolo Eternal Woman è l’attrice toscana Martina Stella.

Il frontman Tom Barman nel gennaio 2011 aveva dichiarato che ad aprile 2011 sarebbe uscito il nuovo album dal titolo Keep You Close, uscita poi posticipata per il settembre dello stesso anno. Il 19 luglio 2011 esce il primo singolo, dal titolo Constant Now, mentre il nuovo album è uscito il 20 settembre dello stesso anno. Ospite della band, in due tracce, Greg Dulli (Afghan Whigs).

Poche settimane dopo la pubblicazione di Keep You Close, la band ritorna in sala di registrazione e attraverso il suo sito ufficiale la band annuncia l’uscita di un nuovo album, pubblicato l’8 giugno 2012 ed intitolato Following Sea.

Alla fine del 2014 la band pubblica, in occasione del ventennale dalla sua formazione, l’antologia doppia “Selected Songs 1994-2014” che raccoglie gli episodi più significativi tratti dalla loro discografia.

https://it.wikipedia.org/wiki/DEUS

Deus (styled as dEUS) is a rock band based in Antwerp, Belgium, whose only continuous members up to the present day are Tom Barman (vocals, guitars) and Klaas Janzoons (keyboards, violin). The rest of the band’s line-up currently consists of drummer Stéphane Misseghers, bassist Alan Gevaert and guitarist/backing vocalist Mauro Pawlowski.

Formed in 1991, Deus began their career as a covers band, but soon began writing their own material Their musical influences range from folk and punk to jazz and progressive rock. They first came to attention in Humo’s Rock Rally of 1992, and after the release of the four-track EP “Zea”, they were offered a recording contract with Island Records. They became the first Belgian indie act ever to sign to a major international label

https://en.wikipedia.org/wiki/Deus_(band)

Favola – Tale


cantoluna

Favola

…E racconterai canti di luna
nella luce del giorno che nasce
e sarai piccola fata senza paura
che ritroverà la strada del cuore
– sospiri e luce in puro bagliore –
Trenta passi ancora e busserai
alla porta del tempo senza timore
Sarai regina della notte
sarai raggiunta gioia che prorompe
in sorrisi d’anima con un canto nuovo
Pausa che disegna nuove rotte
nella lattiscenza del cielo notturno
per contare tutte le stelle – lume del cielo
che ti verrà incontro con accogliente forza
la stessa del nascente sole
Mare in silenzio tra sciabordio
di onde in assolo – stupite al passaggio
di tanto splendore – luce improvvisa
dal canto del tuo spirito in vigore

15.12.2003 Poetyca

Tale

And … tell moon songs
in the light of day arising
little fairy and you will be fearless
to rediscover the path of the heart
– Sighs and light into pure glow –
Thirty more steps and knock
the door of time without fear
You will be queen of the night
will be reached joy that bursts
smiles in the core with a new song
Pause that draws new routes
lattiscenza in the night sky
to count all the stars – the sky light
you will meet friendly force
the same as the rising sun
Ocean lapping quietly in
Waves solo – amazed at the step
of such splendor – the sudden light
the song of your soul into force

15.12.2003 Poetyca

Preghiera – Prayer


Preghiera

« Il pregare è nella religione ciò che il pensiero è nella filosofia. Il senso religioso prega come l’organo del pensiero pensa »

Novalis
La preghiera è una delle pratiche comuni a tutte le religioni. Essa consiste nel rivolgersi alla dimensione del sacro con la parola o con il pensiero; gli scopi della preghiera possono essere molteplici: invocare, chiedere un aiuto, lodare, ringraziare, santificare, o esprimere devozione o abbandono. La preghiera è solitamente considerata come il momento in cui l’uomo ‘parla’ al sacro, mentre la fase inversa è la meditazione, durante la quale è il sacro che ‘parla’ all’uomo.
La preghiera può essere personale, oppure liturgica; solitamente questa seconda forma si ritrova come preghiera scritta (o comunque tramandata in qualche modo). Una delle forme di preghiera più diffuse è il canto devozionale.
Secondo la dottrina cattolica, quando l’uomo prega si eleva a Dio in modo cosciente. Il “tappeto di preghiera” è un piccolo tappeto che i musulmani usano per inginocchiarsi durante le preghiere giornaliere.
Forme di preghiera pubblica
Nell’ebraismo sono previsti per gli uomini tre preghiere nei giorni feriali, in ricordo dei sacrifici di animali e vegetali che venivano praticati nel Santuario: l’Arvith, Shachrith e Minchah. Le preghiere sono quattro il sabato e altri giorni particolari (5 volte per Yom Kippur). L’ordine delle preghiere si trova nel Siddur, il tradizionale libro delle preghiere ebraico. Sebbene la preghiera individuale sia valida, pregare con un minyan (numero minimo di dieci maschi adulti) è considerato ideale. Molte sinagoghe hanno un hazzan, cioè un cantore che guida la preghiera della comunità.
Nel Cristianesimo la forma classica e più antica di preghiera pubblica sono le ore canoniche, cioè momenti fissi durante la giornata in cui vengono recitati (o cantati) dei salmi più altre preghiere, dalla bibbia o composte dalle Chiese, oltre a inni e intercessioni. Di origine antichissima (la struttura è stata ereditata dalla preghiera ebraica sinagogale e del Tempio di Gerusalemme), le ore canoniche ebbero particolare rilievo nelle comunità monastiche come ufficio corale.
Nell’Islam la preghiera canonica è chiamata ṣalāt, prescritta 5 volte al giorno, in forma singola o collettiva, anche se sono previste e consigliate altre preghiere volontarie.
Forme di preghiera privata
Nelle devozioni private esistono vari tipi di preghiere, che hanno un unico fine: elevare l’anima a Dio. Elevare l’anima a Dio è infatti la definizione ufficiale della preghiera così come riportato dal Catechismo della Chiesa Cattolica.
In realtà, come dice la Bibbia (Sap 1,7 e At 17,28), noi già viviamo ed esistiamo dentro Dio; come pure affermano alcune tradizioni religiose antiche dei popoli asiatici e americani. Essendo però Dio di natura trascendente e spirituale, la sua presenza non appare sempre immediatamente percepibile ed evidente. Ecco perché è necessario elevare l’anima a Dio, cioè compiere un atto di volontà (la volontà è una delle tre potenze dell’anima insieme alla memoria e all’intelletto) che ci rende più attenti, più sensibili, più partecipi di questa presenza che è sempre e ovunque. I modi di muovere la volontà e dunque l’anima a questa consapevolezza e a questa comunione sono molti e diversi. La tradizione cattolica ne enumera svariate decine che sono state ispirate dai santi nel corso dei secoli passati e che hanno trovato una eco più o meno duratura e diffusa, in funzione della semplicità, della praticità e della bellezza delle stesse modalità di preghiera.
Tra le forme private di preghiera più diffuse dalla tradizione cristiana troviamo:
la preghiera biblica (che utilizza direttamente le parole della Sacra Scrittura oppure che parte dalla lettura della Bibbia per poi aprirsi al colloquio personale con Dio, come fa la lectio divina);
il colloquio personale con Dio (che l’uomo può vivere in qualunque tempo e luogo);
il Santo Rosario (una forma devozionale nata nel Medioevo e diffusa oggi in tutti i popoli cattolici);
il culto delle immagini (fondato sul fatto che l’immagine sacra subito richiama alla mente la persona divina rappresentata e diffuso, oltre che nelle chiese, specialmente nei luoghi dove le chiese e i luoghi di culto pubblico sono lontani); tale culto non è accettato dal Protestantesimo;
la via crucis (devozione nata nel Medioevo e diffusa nel XVII secolo da san Leonardo da Porto Maurizio);
la vigilanza (cioè l’atteggiamento interiore dell’uomo che vigila sui suoi pensieri, discernendo quelli buoni da quelli malvagi per coltivare quelli buoni e rinnegare, dissolvere, dimenticare quelli malvagi);
la ripetizione (cioè l’atto della volontà che dà inizio ad un ciclo ripetitivo di brevi invocazioni o preghiere ben conosciute, che l’uomo ripete dentro di sé fino a formare un tappeto morbido e robusto sul quale l’anima si stende e si rilassa per poi entrare nella contemplazione);
la contemplazione (è la forma di preghiera considerata più santa, in quanto comunione stessa con il Santo, essendo stata definita dall’uomo la santità come la natura stessa di Dio; la contemplazione è la presenza viva di Dio nell’uomo che ispira direttamente pensieri, parole, immagini, azioni, per cui nella contemplazione l’uomo vede ciò che Dio vede, sente ciò che Dio sente, fa ciò che Dio fa);
la meditazione (è il fluire o il sorgere di pensieri che vengono suggeriti, stimolati, ispirati dalle fonti più diverse: ricordi, incontri, discorsi, letture, fatti, immagini, simboli, etc. Essendo immenso il bacino di spunti per la meditazione, essa è probabilmente la forma di orazione più praticata di ogni tempo).
Bibliografia
Jörg Zink, Come pregare, Claudiana, Torino 1988.
Giordano Berti, Preghiere di tutto il mondo, Vallardi, Milano 1999.
Gérald Messadié (a cura di), Il piccolo libro delle preghiere, Armenia, Milano 2003.
Catechismo della Chiesa Cattolica (di cui la Parte Quarta è interamente dedicata alla preghiera)
Prayer
Prayer is a form of religious practice that seeks to activate a volitional rapport to God or spirit through deliberate practice. Prayer may be either individual or communal and take place in public or in private. It may involve the use of words or song. When language is used, prayer may take the form of a hymn, incantation, formal creed, or a spontaneous utterance in the praying person. There are different forms of prayer such as petitionary prayer, prayers of supplication, thanksgiving, and worship/praise. Prayer may be directed towards a deity, spirit, deceased person, or lofty idea, for the purpose of worshipping, requesting guidance, requesting assistance, confessing sins or to express one’s thoughts and emotions. Thus, people pray for many reasons such as personal benefit or for the sake of others.
Most major religions involve prayer in one way or another. Some ritualize the act of prayer, requiring a strict sequence of actions or placing a restriction on who is permitted to pray, while others teach that prayer may be practiced spontaneously by anyone at any time.
Scientific studies regarding the use of prayer have mostly concentrated on its effect on the healing of sick or injured people. The efficacy of petition in prayer for physical healing to a deity has been evaluated in numerous studies, with contradictory results There has been some criticism of the way the studies were conducted
Forms of prayer
Various spiritual traditions offer a wide variety of devotional acts. There are morning and evening prayers, graces said over meals, and reverent physical gestures. Some Christians bow their heads and fold their hands. Some Native Americans regard dancing as a form of prayer. Some Sufis whirl. Hindus chant mantras. Orthodox Jews sway their bodies back and forth[10] and Salah for Muslims (“kneel and prostrate as seen on the right”). Quakers keep silent. Some pray according to standardized rituals and liturgies, while others prefer extemporaneous prayers. Still others combine the two.
These methods show a variety of understandings to prayer, which are led by underlying beliefs.
These beliefs may be that
the finite can communicate with the infinite
the infinite is interested in communicating with the finite
prayer is intended to inculcate certain attitudes in the one who prays, rather than to influence the recipient
prayer is intended to train a person to focus on the recipient through philosophy and intellectual contemplation
prayer is intended to enable a person to gain a direct experience of the recipient
prayer is intended to affect the very fabric of reality as we perceive it
prayer is a catalyst for change in oneself and/or one’s circumstances, or likewise those of third party beneficiaries
the recipient desires and appreciates prayer
or any combination of these.[citation needed]
The act of prayer is attested in written sources as early as 5000 years ago. Some anthropologists, such as Sir Edward Burnett Tylor and Sir James George Frazer, believed that the earliest intelligent modern humans practiced something that we would recognize today as prayer.
Friedrich Heiler is often cited in Christian circles for his systematic Typology of Prayer which lists six types of prayer: primitive, ritual, Greek cultural, philosophical, mystical, and prophetic
The act of worship
Prayer has many different forms. Prayer may be done privately and individually, or it may be done corporately in the presence of fellow believers. Prayer can be incorporated into a daily “thought life”, in which one is in constant communication with a god. Some people pray throughout all that is happening during the day and seek guidance as the day progresses. This is actually regarded as a requirement in several Christian denominations,[15] although enforcement is not possible nor desirable. There can be many different answers to prayer, just as there are many ways to interpret an answer to a question, if there in fact comes an answer.[15] Some may experience audible, physical, or mental epiphanies. If indeed an answer comes, the time and place it comes is considered random. Some outward acts that sometimes accompany prayer are: anointing with oil;[16] ringing a bell;[17] burning incense or paper;[18] lighting a candle or candles;[19] facing a specific direction (i.e. towards Mecca[20] or the East); making the sign of the cross. One less noticeable act related to prayer is fasting.
A variety of body postures may be assumed, often with specific meaning (mainly respect or adoration) associated with them: standing; sitting; kneeling; prostrate on the floor; eyes opened; eyes closed; hands folded or clasped; hands upraised; holding hands with others; a laying on of hands and others. Prayers may be recited from memory, read from a book of prayers, or composed spontaneously as they are prayed. They may be said, chanted, or sung. They may be with musical accompaniment or not. There may be a time of outward silence while prayers are offered mentally. Often, there are prayers to fit specific occasions, such as the blessing of a meal, the birth or death of a loved one, other significant events in the life of a believer, or days of the year that have special religious significance. Details corresponding to specific traditions are outlined below.

Pre-Christian Europe

Etruscan, Greek, and Roman paganism
In the pre-Christian religions of Greeks and Romans (Ancient Greek religion, Roman religion), ceremonial prayer was highly formulaic and ritualized.[21][22] The Iguvine Tables contain a supplication that can be translated, “If anything was said improperly, if anything was done improperly, let it be as if it were done correctly.”
The formalism and formulaic nature of these prayers led them to be written down in language that may have only been partially understood by the writer, and our texts of these prayers may in fact be garbled. Prayers in Etruscan were used in the Roman world by augurs and other oracles long after Etruscan became a dead language. The Carmen Arvale and the Carmen Saliare are two specimens of partially preserved prayers that seem to have been unintelligible to their scribes, and whose language is full of archaisms and difficult passages.
Roman prayers and sacrifices were often envisioned as legal bargains between deity and worshipper. The Roman principle was expressed as do ut des: “I give, so that you may give.” Cato the Elder’s treatise on agriculture contains many examples of preserved traditional prayers; in one, a farmer addresses the unknown deity of a possibly sacred grove, and sacrifices a pig in order to placate the god or goddess of the place and beseech his or her permission to cut down some trees from the grove
Germanic paganism
An amount of accounts of prayers to the gods in Germanic paganism survived the process of Christianization, though only a single prayer has survived without the interjection of Christian references. This prayer is recorded in stanzas 2 and 3 of the poem Sigrdrífumál, compiled in the 13th century Poetic Edda from earlier traditional sources, where the valkyrie Sigrdrífa prays to the gods and the earth after being woken by the hero Sigurd.
A prayer to the bigger god Odin is mentioned in chapter 2 of the Völsunga saga where King Rerir prays for a child. His prayer is answered by Frigg, wife of Odin, who sends him an apple, which is dropped on his lap by Frigg’s servant in the form of a crow while Rerir is sitting on a mound. Rerir’s wife eats the apple and is then pregnant with the hero Völsung. In stanza 9 of the poem Oddrúnargrátr, a prayer is made to “kind wights, Frigg and Freyja, and many gods,” although since the poem is often considered one of the youngest poems in the Poetic Edda, the passage has been the matter of some debate.[26]
In chapter 21 of Jómsvíkinga saga, wishing to turn the tide of the Battle of Hjörungavágr, Haakon Sigurdsson eventually finds his prayers answered by the goddesses Þorgerðr Hölgabrúðr and Irpa (the first of the two described as Haakon’s patron goddess) who appear in the battle, kill many of the opposing fleet, and cause the remnants of their forces to flee. However, this depiction of a pagan prayer has been criticized as inaccurate due to the description of Haakon dropping to his knees.
The 11th century manuscript for the Anglo-Saxon charm Æcerbot presents what is thought to be an originally pagan prayer for the fertility of the speaker’s crops and land, though Christianization is apparent throughout the charm.[28] The 8th century Wessobrunn Prayer has been proposed as a Christianized pagan prayer and compared to the pagan Völuspá[29] and the Merseburg Incantations, the latter recorded in the 9th or 10th century but of much older traditional origins
Abrahamic religions
Bible
In the common Bible of the Abrahamic religions, various forms of prayer appear; the most common forms being petition, thanksgiving, and worship. The longest book in the Bible is the Book of Psalms, 150 religious songs which are often regarded as prayers. Other well-known Biblical prayers include the Song of Moses (Exodus 15:1-18), the Song of Hannah (1 Samuel 2:1-10), and the Magnificat (Luke 1:46-55). But perhaps the best-known prayer in the Christian Bible is the Lord’s Prayer (Matthew 6:9–13; Luke 11:2-4).
See also: Tanakh, New Testament, Prayer in the Hebrew Bible, and Prayer in the New Testament
Judaism
Jews pray three times a day, with lengthier prayers on special days, such as the Shabbat and Jewish holidays. The siddur is the prayerbook used by Jews all over the world, containing a set order of daily prayers. Jewish prayer is usually described as having two aspects: kavanah (intention) and keva (the ritualistic, structured elements).
The most important Jewish prayers are the Shema Yisrael (“Hear O Israel”) and the Amidah (“the standing prayer”).
Communal prayer is preferred over solitary prayer, and a quorum of 10 adult males (a minyan) is considered by Orthodox Judaism a prerequisite for several communal prayers.
Rationalist approach to prayer
In this view, ultimate goal of prayer is to help train a person to focus on divinity through philosophy and intellectual contemplation. This approach was taken by Maimonides and the other medieval rationalists. One example of this approach to prayer is noted by Rabbi Steven Weil, who was appointed the Orthodox Union’s Executive-Vice President in 2009. He notes that the word “prayer” is a derivative of the Latin “precari”, which means “to beg”. The Hebrew equivalent “tefilah”, however, along with its root “pelel” or its reflexive “l’hitpallel”, means the act of self-analysis or self-evaluation. This approach is sometimes described as the person praying having a dialogue or conversation with God.
Educational approach to prayer
In this view, prayer is not a conversation. Rather, it is meant to inculcate certain attitudes in the one who prays, but not to influence. This has been the approach of Rabbenu Bachya, Yehuda Halevy, Joseph Albo, Samson Raphael Hirsch, and Joseph Dov Soloveitchik. This view is expressed by Rabbi Nosson Scherman in the overview to the Artscroll Siddur (p. XIII); note that Scherman goes on to also affirm the Kabbalistic view (see below).
Kabbalistic approach to prayer
Kabbalah (Jewish mysticism) uses a series of kavanot, directions of intent, to specify the path the prayer ascends in the dialog with God, to increase its chances of being answered favorably. Kabbalists ascribe a higher meaning to the purpose of prayer, which is no less than affecting the very fabric of reality itself, restructuring and repairing the universe in a real fashion. In this view, every word of every prayer, and indeed, even every letter of every word, has a precise meaning and a precise effect. Prayers thus literally affect the mystical forces of the universe, and repair the fabric of creation.
Among Jews, this approach has been taken by the Chassidei Ashkenaz (German pietists of the Middle-Ages), the Arizal’s Kabbalist tradition, Ramchal, most of Hassidism, the Vilna Gaon, and Jacob Emden.
Christianity
Main articles: Prayer in Christianity and Christian worship
Christian prayers are quite varied. They can be completely spontaneous, or read entirely from a text, like the Anglican Book of Common Prayer. Probably the most common and universal prayer among Christians is the Lord’s Prayer, which according to the gospel accounts is how Jesus taught his disciples to pray. Some Protestant denominations choose not to recite the Lord’s Prayer or other rote prayers.
Christians generally pray to God or to the Father. Some Christians (e.g., Catholics, Orthodox) will also ask the righteous in heaven and “in Christ,” such as Virgin Mary or other saints to intercede by praying on their behalf (intercession of saints). Formulaic closures include “through our Lord Jesus Christ, Your Son, who lives and reigns with You, in the unity of the Holy Spirit, God, through all the ages of ages,” and “in the name of the Father, and the Son, and the Holy Spirit.”
It is customary among Protestants to end prayers with “In Jesus’ name, Amen” or “In the name of Christ, Amen”[34] However, the most commonly used closure in Christianity is simply “Amen” (from a Hebrew adverb used as a statement of affirmation or agreement, usually translated as so be it).
There is also the form of prayer called hesychast which is a repetitious type of prayer for the purpose of meditation. In the Western or Latin Rite of Catholic Church, probably the most common is the Rosary; In the Eastern Church (the Eastern rites of the Catholic Church and Orthodox Church), the Jesus Prayer.
Roman Catholic tradition includes specific prayers and devotions as acts of reparation which do not involve a petition for a living or deceased beneficiary, but aim to repair the sins of others, e.g. for the repair of the sin of blasphemy performed by others
Pentecostalism
In Pentecostal congregations, prayer is often done by speaking in a foreign tongue, a practice now known as glossolalia.[36] Practitioners of Pentecostal glossolalia may claim that the languages they speak in prayer are real foreign languages, and that the ability to speak those languages spontaneously is a gift of the Holy Spirit;[37][38] however, many people outside the movement have offered alternative views. George Barton Cutten suggested that glossolalia was a sign of mental illness.[39] Felicitas Goodman suggested that tongue speakers were under a form of hypnosis.[40] Others suggest that it is a learned behaviour. Some of these views have allegedly been refuted
Christian Science
Christian Science teaches that prayer is a spiritualization of thought or an understanding of God and of the nature of the underlying spiritual creation. Adherents believe that this can result in healing, by bringing spiritual reality (the “Kingdom of Heaven” in Biblical terms) into clearer focus in the human scene. The world as it appears to the senses is regarded as a distorted version of the world of spiritual ideas. Prayer can heal the distortion. Christian Scientists believe that prayer does not change the spiritual creation but gives a clearer view of it, and the result appears in the human scene as healing: the human picture adjusts to coincide more nearly with the divine reality. Christian Scientists do not practice intercessory prayer as it is commonly understood, and they generally avoid combining prayer with medical treatment in the belief that the two practices tend to work against each other. (However, the choice of healing method is regarded as a matter for the individual, and the Christian Science Church exerts no pressure on members to avoid medical treatment if they wish to avail of it as an alternative to Christian Science healing.) Prayer works through love: the recognition of God’s creation as spiritual, intact, and inherently lovable

Prevalence of prayer for health

Some modalities of alternative medicine employ prayer. A survey released in May 2004 by the National Center for Complementary and Alternative Medicine, part of the National Institutes of Health in the United States, found that in 2002, 43% of Americans pray for their own health, 24% pray for others’ health, and 10% participate in a prayer group for their own healt
Islam
Muslims pray a ritualistic prayer called salah or salat in Arabic, facing the Kaaba in Mecca, five times a day. The command to pray is in the Quran in several chapters. The prophet Muhammed showed each Muslim the true method of offering prayers thus the same method is observed till date. There is the “call for prayer” (adhan or azaan), where the muezzin calls for all the followers to stand together for the prayer. The prayer consists of standing, by mentioning -àllàh o -àqbàr (God is great) followed by recitation of the first chapter of the Quran. After the person bends and praises god, then prostrates and again praises god. The prayer ends with the following words “peace and blessings be upon you”. During the prayer a Muslim cannot talk or do anything else besides praying. Once the prayer is complete one can offer voluntary prayers or supplicate -àllàh for his needs. There are also many standard duas or supplications, also in Arabic, to be recited at various times, e.g. for one’s parents, after salah, before eating. Muslims may also say dua in their own words and languages for any issue they wish to communicate with God in the hope that God will answer their prayers.[20] Certain Shia fiqhs pray 3 times a day.
Bahá’í
Main article: Prayer in the Bahá’í Faith
Bahá’u’lláh, the Báb, and `Abdu’l-Bahá have revealed many prayers for general use, and some for specific occasions, including for unity, detachment, spiritual upliftment, and healing among others. Bahá’ís are also required to recite each day one of three obligatory prayers revealed by Bahá’u’lláh. The believers have been enjoined to face in the direction of the Qiblih when reciting their Obligatory Prayer. The longest obligatory prayer may be recited at any time during the day; another, of medium length, is recited once in the morning, once at midday, and once in the evening; and the shortest can be recited anytime between noon and sunset. Bahá’ís also read from and meditate on the scriptures every morning and evening.
Eastern religions
In contrast with Western religion, Eastern religion for the most part discards worship and places devotional emphasis on the practice of meditation alongside scriptural study. Consequently, prayer is seen as a form of meditation or an adjunct practice to meditation
Buddhism
n certain Buddhist sects, prayer accompanies meditation. Buddhism for the most part sees prayer as a secondary, supportive practice to meditation and scriptural study. Gautama Buddha claimed that human beings possess the capacity and potential to be liberated, or enlightened, through contemplation, leading to insight. Prayer is seen mainly as a powerful psycho-physical practice that can enhance meditation.[48]
In the earliest Buddhist tradition, the Theravada, and in the later Mahayana tradition of Zen (or Chán), prayer plays only an ancillary role. It is largely a ritual expression of wishes for success in the practice and in helping all beings.[49][50][51][52]
The skillful means (Sanskrit: upaya) of the transfer of merit (Sanskrit: parinamana) is an evocation and prayer. Moreover, indeterminate buddhas are available for intercession as they reside in awoken-fields (Sanskrit: buddha-kshetra).
The nirmanakaya of a awoken-field is what is generally known and understood as mandala. The opening and closing of the ring (Sanskrit: mandala) is an active prayer. An active prayer is a mindful activity, an activity in which mindfulness is not just cultivated but is.[53] A common prayer is “May the merit of my practice, adorn Buddhas’ Pure Lands, requite the fourfold kindness from above, and relieve the suffering of the three life-journeys below. Universally wishing sentient beings, Friends, foes, and karmic creditors, all to activate the bodhi mind, and all to be reborn in the Pure Land of Ultimate Bliss.” (願以此功德 莊嚴佛淨土 上報四重恩 下濟三途苦 普願諸眾生 冤親諸債主 悉發菩提心 同生極樂國)[54]
The Generation Stage (Sanskrit: utpatti-krama) of Vajrayana involves prayer elements.[55]
The Tibetan Buddhism tradition emphasizes an instructive and devotional relationship to a guru; this may involve devotional practices known as guru yoga which are congruent with prayer. It also appears that Tibetan Buddhism posits the existence of various deities, but the peak view of the tradition is that the deities or yidam are no more existent or real than the continuity (Sanskrit: santana; refer mindstream) of the practitioner, environment and activity. But how practitioners engage yidam or tutelary deities will depend upon the level or more appropriately yana at which they are practicing. At one level, one may pray to a deity for protection or assistance, taking a more subordinate role. At another level, one may invoke the deity, on a more equal footing. And at a higher level one may deliberately cultivate the idea that one has become the deity, whilst remaining aware that its ultimate nature is shunyata. The views of the more esoteric yana are impenetrable for those without direct experience and empowerment.
Pure Land Buddhism emphasizes the recitation by devotees of prayer-like mantras, a practice often called Nembutsu.[56]:190 On one level it is said that reciting these mantras can ensure rebirth into a sambhogakaya land (Sanskrit: buddha-kshetra) after bodily dissolution, a sheer ball spontaneously co-emergent to a buddha’s enlightened intention. According to Shinran, the founder of the Pure Land Buddhism tradition that is most prevalent in the US[56]:193[57] “for the long haul nothing is as efficacious as the Nembutsu.”[56]:197[58] On another, the practice is a form of meditation aimed at achieving realization.[citation needed]
But beyond all these practices the Buddha emphasized the primacy of individual practice and experience. He said that supplication to gods or deities was not necessary. Nevertheless, today many lay people in East Asian countries pray to the Buddha in ways that resemble Western prayer—asking for intervention and offering devotion.
Hinduism
Hinduism has incorporated many kinds of prayer (Sanskrit: prārthanā), from fire-based rituals to philosophical musings. While chanting involves ‘by dictum’ recitation of timeless verses or verses with timings and notations, dhyanam involves deep meditation (however short or long) on the preferred deity/God. Again the object to which prayers are offered could be a persons referred as devtas, trinity or incarnation of either devtas or trinity or simply plain formless meditation as practiced by the ancient sages. All of these are directed to fulfilling personal needs or deep spiritual enlightenment. Ritual invocation was part and parcel of the Vedic religion and as such permeated their sacred texts. Indeed, the highest sacred texts of the Hindus, the Vedas, are a large collection of mantras and prayer rituals. Classical Hinduism came to focus on extolling a single supreme force, Brahman, that is made manifest in several lower forms as the familiar gods of the Hindu pantheon[dubious – discuss]. Hindus in India have numerous devotional movements. Hindus may pray to the highest absolute God Brahman, or more commonly to Its three manifestations namely creator god called Brahma, preserver god called Vishnu and destroyer god (so that the creation cycle can start afresh) Shiva, and at the next level to Vishnu’s avatars (earthly appearances) Rama and Krishna or to many other male or female deities. Typically, Hindus pray with their hands (the palms) joined together in pranam. The hand gesture is similar to the popular Indian greeting namaste.
Jainism
Although Jains believe that no spirit or divine being can assist them on their path, they do hold some influence, and on special occasions, Jains will pray for right knowledge to the twenty-four Tirthankaras (saintly teachers) or sometimes to Hindu deities such as Ganesha.
Shinto
The practices involved in Shinto prayer are heavily influenced by Buddhism; Japanese Buddhism has also been strongly influenced by Shinto in turn. The most common and basic form of devotion involves throwing a coin, or several, into a collection box, ringing a bell, clapping one’s hands, and contemplating one’s wish or prayer silently. The bell and hand clapping are meant to wake up or attract the attention of the kami of the shrine, so that one’s prayer may be heard.
Shinto prayers quite frequently consist of wishes or favors asked of the kami, rather than lengthy praises or devotions. Unlike in certain other faiths, it is not considered irregular or inappropriate to ask favors of the kami in this way, and indeed many shrines are associated with particular favors, such as success on exams.
In addition, one may write one’s wish on a small wooden tablet, called an ema, and leave it hanging at the shrine, where the kami can read it. If the wish is granted, one may return to the shrine to leave another ema as an act of thanksgiving.
Sikhism
The Ardās (Punjabi: ਅਰਦਾਸ) is a Sikh prayer that is done before performing or after undertaking any significant task; after reciting the daily Banis (prayers); or completion of a service like the Paath (scripture reading/recitation), kirtan (hymn-singing) program or any other religious program. In Sikhism, these prayers are also said before and after eating. The prayer is a plea to God to support and help the devotee with whatever he or she is about to undertake or has done.
The Ardas is usually always done standing up with folded hands. The beginning of the Ardas is strictly set by the tenth Sikh Guru, Guru Gobind Singh. When it comes to conclusion of this prayer, the devotee uses word like “Waheguru please bless me in the task that I am about to undertake” when starting a new task or “Akal Purakh, having completed the hymn-singing, we ask for your continued blessings so that we can continue with your memory and remember you at all times”, etc. The word “Ardās” is derived from Persian word ‘Arazdashat’, meaning a request, supplication, prayer, petition or an address to a superior authority.
Ardās is a unique prayer based on the fact that it is one of the few well-known prayers in the Sikh religion that was not written in its entirety by the Gurus. The Ardās cannot be found within the pages of the Guru Granth Sahib because it is a continually changing devotional text that has evolved over time in order for it to encompass the feats, accomplishments, and feelings of all generations of Sikhs within its lines. Taking the various derivation of the word Ardās into account, the basic purpose of this prayer is an appeal to Waheguru for his protection and care, as well as being a plea for the welfare and prosperity of all mankind, and a means for the Sikhs to thank Waheguru for all that he has done
Taoism
Prayer in Taoism is less common than Fulu, which is the drawing and writing of supernatural talismans
Animism
Although prayer in its literal sense is not used in animism, communication with the spirit world is vital to the animist way of life. This is usually accomplished through a shaman who, through a trance, gains access to the spirit world and then shows the spirits’ thoughts to the people. Other ways to receive messages from the spirits include using astrology or contemplating fortune tellers and healers. The native religions in some parts of North, East and South Asia, America, Africa, and Oceania are often animistic.
America
The Aztec religion was not strictly animist. It had an ever increasing pantheon of deities, and the shamans performed ritual prayer to these deities in their respective temples. These shamans made petitions to the proper deities in exchange for a sacrifice offering: food, flowers, effigies, and animals, usually quail. But the larger the thing required from the God the larger the sacrifice had to be, and for the most important rites one would offer one’s own blood; by cutting his ears, arms, tongue, thighs, chest or genitals, and often a human life; either warrior, slave, or even self-sacrifice.[63]
The Pueblo Indians are known to have used prayer sticks, that is, sticks with feathers attached as supplicatory offerings. The Hopi Indians used prayer sticks as well, but they attached to it a small bag of sacred meat
Australia
In Australia, prayers to the “Great Wit” are performed by the “clever wapmen” and “clever women”, or kadji. These Aboriginal shamans use maban or mabain, the material that is believed to give them their purported magical powers
Neopaganism
Adherents to forms of modern Neopaganism pray to various gods. The most commonly worshiped and prayed to gods are those of Pre-Christian Europe, such as Celtic, Norse, or Graeco-Roman gods. Prayer can vary from sect to sect, and with some (such as Wicca) prayer may also be associated with ritual magick.
Theurgy and Western Esotericism
Practitioners of theurgy and western esotericism may practice a form of ritual which utilizes both pre-sanctioned prayers and names of God, and prayers “from the heart” that, when combined, allows the participant to ascend spiritually, and in some instances, induce a trance in which God or other spiritual beings may be realized. Very similar to hermetic qabala, and orthodox qabala, it is believed that prayer can influence both the physical and non-physical worlds. The use of ritualistic signs and names are believed to be archetypes in which the subconscious may take form as the Inner God, or another spiritual being, and the “prayer from the heart” to be that spiritual force speaking through the participant.
Meher Baba
The Indian spiritual teacher Meher Baba emphasized both the beauty of prayer as praise and the power of prayer as petition:
“The ideal prayer to the Lord is nothing more than spontaneous praise of His being. You praise Him, not in the spirit of bargain but in the spirit of self-forgetful appreciation of what He really is. You praise Him because He is praiseworthy. Your praise is a spontaneous appreciative response to his true being, as infinite light, infinite power and infinite bliss.”[66]
“Through repeated sincere prayers it is possible to effect an exit from the otherwise inexorable working out of the law of karma. The forgiveness asked from God evokes from Him His inscrutable grace, which alone can give new direction to the inexorable karmic determination
http://it.wikipedia.org/wiki/Preghiera
http://en.wikipedia.org/wiki/Prayer

Solo una carezza – Only a caress


Solo una carezza

Solo una carezza
leggera rimbalza
dimentica delle distanze
e forse anche del tempo
è sapere che si colora
ogni istante senza domande
– solo esserci – e tutto si trasforma

03.09.2003 Poetyca


Only a caress

Only a caress
Light bounces
miss distance
and perhaps time
you know that turns
any time without questions
– Just there – and everything changes

03.09.2003 Poetyca

La tua storia – Your story


La tua storia

Dipingi immagini
luoghi ed odori
che tieni da sempre
impigliati nell’anima
e ne ricostruisci la storia
dispiegando gli occhi
della generosa memoria
Racconti e ricami
ormai senza tempo
che fanno della tua terra
la culla del cuore
che non abbandona
il tuo sorridente respiro
di nostalgica tenerezza
E se cade una lacrima
è solo per farla scivolare
tra le pieghe della tua storia

24.08.2003 Poetyca

Your story

You paint pictures
places and smells
that always hold
entangled in the soul
and reconstruct the history
deploying eyes
memory of the generous
Stories and embroidery
now timeless
that make your land
the cradle of the heart
who does not abandon
your smiling breath
of nostalgic affection
And if a tear falls
is just to slide
between the folds of your story

24.08.2003 Poetyca

Sogno segreto – Secret dream


Sogno segreto

E ad un albero fratello
i tuoi sogni affidi
quel che cela il cuore
e a nessuno mai confidi
– vorresti la pace
per ogni bambino
che conosce la guerra –
in atterriti occhi
vorresti la vita serena
per tutti gli anziani
lasciati in abbandono
e nessuno li va a trovare
Una briciola di colore
da spargere intorno
con un sorriso per tutti
senza fame e paure
Scacciata solitudine
per chi ha freddo
in fondo all’anima
E il fratello li accoglie
con le sue braccia al cielo
mentre la brezza
ora fa dondolare
ogni foglietto appeso
con il tuo sogno scritto
e da custodire come segreto
che a nessuno puoi rivelare
La notte la luna illumina
e le fa eco una stella
e con tenerezza portano
luce ad ogni sperare

21.12.2003 Poetyca

Secret dream

And a tree brother
entrust your dreams
what lurks the heart
and no one ever confide
– Want peace
for each child
who knows the war –
in terrified eyes
want the good life
for all elderly
left abandoned
and nobody comes to visit
A bit of color
which is spread around
with a smile for everyone
without hunger and fear
Banished loneliness
for those cold
in the depths
And his brother, welcomes them
with his arms to heaven
the breeze
hour swing
every last piece hanging
with your written dream
and preserved as a secret
that no one can reveal
The night the moon lights
and echoed a star
and tenderly lead
light to every hope

21.12.2003 Poetyca

Phil Collins – En Concert Complet a (Paris 2004)


Philip David Charles Collins (Londra, 30 gennaio 1951) è un cantautore, polistrumentista e musicista britannico, noto sia come solista sia come componente dello storico gruppo dei Genesis.

Collins è uno dei tre artisti (insieme a Paul McCartney e Michael Jackson), ad aver venduto oltre 150 milioni di album in tutto il mondo sia come solisti che come membri principali di una band[1].

https://it.wikipedia.org/wiki/Phil_Collins

Philip David Charles “Phil” Collins, LVO (born 30 January 1951),[6] is an English singer, songwriter, multi-instrumentalist, music producer and actor. He gained fame as both the drummer and lead singer for the rock group Genesis, and he also gained worldwide fame as a solo artist.

Collins is one of the most successful songwriters and performers of all time, singing the lead vocals on dozens of hit albums and singles in the UK and the US between 1976 and 2010, either as a solo artist or with Genesis. His solo singles, sometimes dealing with lost love and often featuring his distinctive gated reverb drum sound, ranged from the atmospheric “In the Air Tonight“, dance-rock of “Sussudio“, piano-driven power balladAgainst All Odds“, to the political and religious connotations of “Another Day in Paradise“. Collins has been described by AllMusic as “one of the most successful pop and adult contemporary singers of the ’80s and beyond”.[1]

Collins joined Genesis in 1970 as the group’s drummer and became their lead vocalist in 1975 following the departure of the original lead singer Peter Gabriel. His solo career, which was launched in 1981 and was heavily influenced by his personal life and soul music, brought both himself and Genesis greater commercial success. Collins’s total worldwide sales as a solo artist are 150 million.[7] Collins has won numerous music awards throughout his career, including seven Grammy Awards, six Brit Awards—winning Best British Male three times, three American Music Awards, an Academy Award, two Golden Globe Awards and a Disney Legend Award in 2002 for his solo work.[8][9][10] He received a star on the Hollywood Walk of Fame in 1999, was inducted into the Songwriters Hall of Fame in 2003, and into the Rock and Roll Hall of Fame as a member of Genesis in 2010.[11][12] Collins was listed at number 22 in Rolling Stone magazine’s list of the “100 Greatest Drummers of All Time”.[13]

Collins is one of only three recording artists (along with Paul McCartney and Michael Jackson) who have sold over 100 million albums worldwide both as solo artists and (separately) as principal members of a band.[14] During his most successful period as a solo artist between 1981 and 1990, Collins had three UK number-one singles and seven number-one singles on the Billboard Hot 100 in the United States, as well as a U.S. number one with Genesis in 1986. When his work with Genesis, his work with other artists, as well as his solo career is totalled, Collins had more top 40 hits on the Billboard Hot 100 chart during the 1980s than any other artist.[15] In 2008, Collins was ranked the 22nd most successful artist on the “Billboard Hot 100 All-Time Top Artists”.[16] Although one of the world’s best-selling recording artists and a highly respected drummer, Collins has garnered significant criticism over the years from music journalists and fellow artists. He announced his retirement in 2011 to focus on his family life,[17][18] though he continued to write songs and in 2013 he said he was considering a return to the music industry.[19]

https://en.wikipedia.org/wiki/Phil_Collins

La tua storia – Your story



La tua storia


Dipingi immagini
luoghi ed odori
che tieni da sempre
impigliati nell’anima
e ne ricostruisci la storia
dispiegando gli occhi
della generosa memoria
Racconti e ricami
ormai senza tempo
che fanno della tua terra
la culla del cuore
che non abbandona
il tuo sorridente respiro
di nostalgica tenerezza
E se cade una lacrima
è solo per farla scivolare
tra le pieghe della tua storia

24.08.2003 Poetyca
Your story
Paint images
places and smells
that always hold
tangled soul
and reconstruct the history
deploying eyes
the generous memory
Stories and embroidery
now timeless
that make your land
the cradle of the heart
that does not abandon
your smiling breath
of nostalgic tenderness
And if a tear falls
is to slide
the folds of your story

24.08.2003 Poetyca

Ricordi – Memories


Ricordi

Ed è vero, ci si culla nei ricordi migliori
quando la realtà ci ferisce e ci ruba quello
per cui si è creduto
Difficile la separazione, il veder crollare
tutti i castelli – di sabbia – costruiti nel tempo

Non più immagini – fotografie
ma il desiderio di lasciare
il miglior ricordo che magari spazzi
tutta l’amarezza del momento

Necessità di afferrare le immagini
nate nel cuore a cullare tutto
quel cammino attraversato insieme
– La parte migliore – che non si deve
mai lasciar morire, sarebbe negare
che un sentimento vero era nato
che ha respirato dentro e anche se solo
le crepe e le ferite lo hanno intaccato
è tenerezza che sfiora tutto quel che è vissuto

20.12.2003 Poetyca

Memories

It is true, there are cots in best memories
when the truth hurts us and what we steal
for which it was believed
Difficult separation, see collapse
all the castles – sand – built in time

No more pictures – photographs
but the desire to leave
maybe the best memory spaces
all the bitterness of the moment

Need to grab images
born in the heart of all rock
that journey together through
– The best part – that you should not
never let it die, it would deny
that a true feeling was born
she breathed in and even if only
cracks and injuries have affected
tenderness is nearly all that is lived

20.12.2003 Poetyca

Lou Reed Greatest Hits – Best songs of Lou Reed


Video https://youtu.be/QYEC4TZsy-Y
Lewis Allan Reed (New York, 2 marzo 1942Long Island, 27 ottobre 2013) è stato un cantautore, chitarrista e poeta statunitense.
Cantore al contempo crudo e ironico dei bassifondi metropolitani, dell’ambiguità umana, dei torbidi abissi della droga e della deviazione sessuale, ma anche della complessità delle relazioni di coppia e dello spleen esistenziale, Lou ha finito con l’incarnare lo stereotipo dell’Angelo del male, immagine con cui ha riempito i media per oltre tre decenni divenendo una delle figure più influenti della musica e del costume contemporanei.[1][4]
Con i Velvet Underground, fondati nella sua New York a metà anni sessanta insieme al musicista d’avanguardia John Cale, pur non riscuotendo alcun successo commerciale ha rivoluzionato per sempre i dettami della musica rock, gettando le basi per quell’estetica nichilista che anni dopo sarebbe stata ribattezzata Punk.[5][6]Dopo lo scioglimento del gruppo ha avviato una lunga e proficua carriera solista, che può vantare album storici come Transformer (prodotto da David Bowie), il concept album Berlin, il live Rock N Roll Animal e l’album-provocazione Metal Machine Music.[7]
Celebri e imitatissimi il suo look divenuto un marchio di fabbrica (giacca di pelle nera, jeans e Ray-Ban scuri), la sua voce apatica e apparentemente monocorde, il suo stile chitarristico abrasivo e dissonante.[8]
http://it.wikipedia.org/wiki/Lou_Reed
Lewis AllanLouReed (March 2, 1942 – October 27, 2013) was an American musician, singer, and songwriter.[1] After serving as guitarist, vocalist, and principal songwriter of the Velvet Underground, his solo career spanned several decades.
The Velvet Underground was a commercial failure in the late 1960s, but the group gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era.[2] Brian Eno famously stated that, while the Velvet Underground’s debut album only sold 30,000 copies, “everyone who bought one of those 30,000 copies started a band.”[3]
After his departure from the group, Reed began a solo career in 1972. He had a hit the following year with “Walk on the Wild Side“, but this level of mainstream commercial success was not to be repeated.[4] Reed was known for his distinctive deadpan voice, poetic lyrics and for pioneering and coining the term ostrich guitartuning.[5]
In 2003, Rolling Stone magazine’s list of The 500 Greatest Albums of All Time included two albums by Reed as a solo artist, Transformer and Berlin.[6]
http://en.wikipedia.org/wiki/Lou_Reed

Ali di carta – Paper wings


bruno2_1024

Ali di carta

Ali di carta
si dispiegano lievi
ed il vento
non le potrà strappare
Nessun sogno sbiadisce
se saprai accoglierne
in un sussurro la forza
fai respirare le tue speranze
e non indossare ali di cartone
Solo ali di carta
piume leggere
che sfiorano vita
senza rumore

09.08.2003 Poetyca

Paper wings

Paper wings
unfold mild
and the wind
not can tear it away
No dream fades
If you can accommodate
in a whisper strength
you breathe your hopes
and do not wear cardboard wings
Only paper wings
light feathers
that touch life
without noise

09.08.2003 Poetyca

Un attimo – A moment



Un attimo

L’emozione è un attimo
come frullio d’ali
e neve che fiocca:
piccoli palpiti
lieve sapore
Tenera dolcezza
che nutre il cuore
Sottili reti di carezze
che sfiorano sogni
senza rumore
Poi tutto svanisce
e nel respiro
resta stupore

04.02.2003 Poetyca

A moment

Emotion is a moment
as a flutter of wings
and snow flakes:
small beats
mild flavor
Tender sweetness
who has a heart
Thin networks of strokes
dreams that reach
noiseless
Then it all fades away
and breath
still wonder
04.02.2003 Poetyca

Due cuori – Two hearts


Due cuori

Era un cuore solo
o forse due
ma non si sa tutt’ora
correva come il vento
nelle notti d’autunno
alla ricerca di vita
– lo chiamavano Lupo –
ma non era solitario
sapeva solo sentire
quella musica leggera
che accarezzava la vita
e la stringeva forte
senza aver mai paura
Solo una notte di luna
pensò che era meglio sparire
perché era presto
ma era anche tardi
ed allora ascoltava il brivido
di un tempo indeciso
e mentre sorrideva
era tutto un attimo d’emozione
che come una corsa d’infinito
dentro lui poteva vivere
e non chiese a nessuno la strada
e dopo la seconda luna
trovò anche l’altro cuore
ed è ancora lì che lo abbraccia
respirando piano e senza più parole

02.09.2003 Poetyca

Two hearts

It was a lonely heart
or perhaps two
but still do not know
run like the wind
in the autumn nights
looking for life
– called the Wolf –
but it was lonely
could only hear
that pop music
stroking life
and hugged
without fear
Only a moonlit night
thought it was better to disappear
because it was soon
but it was too late
and then listened to the thrill
an undecided time
and she smiled
it was all a moment of emotion
that as a race for the infinite
in he could live
and did not ask anyone the way
and after the second moon
also found the other heart
and is still there, hugged him
breathe slowly and without more words

02.09.2003 Poetyca

Jethro Tull – Aqualung [Full Album]


[youtube https://www.youtube.com/watch?v=wUEA5NWlQU0]

I Jethro Tull sono stati un gruppo rock progressivo originario di Blackpool, in Inghilterra, fondato nel 1967 dallo scozzese Ian Anderson (flauto traversopolistrumentista).
La formazione prende il nome dal pioniere della moderna agricoltura, l’agronomo Jethro Tull (1674-1741).
La loro musica è contraddistinta dalla presenza dominante del flauto traverso, suonato dal virtuoso leader Ian Scott Anderson.
Dopo un esordio all’insegna del richiamo al blues, i Jethro Tull hanno attraversato la storia del rock, sperimentando vari generi e stili, dal classico al folk rock, dal progressive al jazz rock al folk prodotto con strumentazioni acustiche.[1][2]
Hanno venduto più di 60 milioni di album in tutto il mondo[3].

Nel mese di aprile 2014 Anderson ha dichiarato che i “Jethro Tull” come band non esistono più e la volontà di lasciare l’eredità del nome continuando la sua carriera solista

https://it.wikipedia.org/wiki/Jethro_Tull_(gruppo_musicale)

Jethro Tull were a British rock group, formed in Luton, Bedfordshire, in December 1967.[1] Initially playing blues rock, the band’s sound soon incorporated elements of British folk music and hard rock to forge a progressive rock signature.[2] The band was led by vocalist/flautist/guitarist Ian Anderson, and have included other significant members such as guitarist Martin Barre, keyboardist John Evan, drummers Clive Bunker, Doane Perry, and Barriemore Barlow, and bassists Glen Cornick, Jeffrey Hammond, and Dave Pegg.

The group achieved commercial success in 1969, with the folk-tinged blues album Stand Up, which reached No. 1 in the UK charts, and they toured regularly in the UK and the US. Their musical style shifted in the direction of progressive rock with the albums Aqualung, Thick as a Brick and A Passion Play, and shifted again to hard rock mixed with folk rock with Songs from the Wood and Heavy Horses. Jethro Tull have sold over 60 million albums worldwide,[3] with 11 gold and five platinum albums among them.[4] They have been described by Rolling Stone as “one of the most commercially successful and eccentric progressive rock bands”.[5]

The last works released as a group were in 2003, though the band continued to tour until 2011. In April 2014, as he was concentrating on his solo career, Anderson said that Jethro Tull were finished

https://en.wikipedia.org/wiki/Jethro_Tull_(band)

Amore esiste – Love exists


Amore esiste

Quanti limiti di questa umanità incarnata,
quanti dubbi e ricerche…
Eppure si sente esistere quel ” qualcosa ”
che E’ – senza limite, senza imperfezione
senza possesso e voglia di mettere in mostra
quello che poi…neppure potresti vedere…

Sensi imperfetti che non colgono,
membra imperfette che limitano…

Amore esiste, non lo vedi?
Tra perduti passi
tra antiche memorie
di arcaici tempi che si specchiano
solo per un barlume :
attimo che è scia tra le stelle
che raccontano di quel che eri
che sarai se solo cerchi
nei silenzi la danza dell’anima

28.12.2003 Poetyca

Love exists

Many limitations of this humanity incarnate
many doubts and research …
Yet there feels that “something”
that IS’- without limit, without imperfection
without possession and want to showcase
that even then … you see …

Meaning imperfect miss,
imperfect limbs that limit …

Love exists, can not you see?
Among leak
between old memories
of archaic times that are reflected
just a glimpse:
moment that you wake in the stars
telling of what were
that if you’re only looking
dancing in the silence of the soul

28.12.2003 Poetyca

La storia palpita – The story beats


La storia palpita

E’ solo un attimo
un frammento
che scagliato nel tempo
racconta la vita
E’ solo un pensiero
confuso tra ombre
che non raccolgono mistero
E sei tu
perduto scultore
che plasmi emozioni
a cercare scaglie impercettibili
– luce prigioniera –
che non racconta più nulla
Sei tu pittore d’incanti
che riporti su tele
l’arcaico senso di ogni colore
Ma sei anche tu
poeta sensibile
che snodi percorsi
che son figli del cielo
Ecco ora la storia palpita

19.10.2003 Poetyca

The story beats

It ‘s just a moment
a fragment
thrown in that time
tells the story
It ‘s just a thought
confused shadows
does not raise mystery
And you are
lost sculptor
plasmas that emotions
to look for subtle scales
– Light prisoner –
that does not tell anything
You’re the painter of the charms
showing on canvas
the archaic meaning of each color
But are you
sensitive poet
joints that routes
who are children of the sky
Now, the story beats
19.10.2003 Poetyca

David Bowie Greatest Hits | Best Songs Of David Bowie (Full Album 2015)


[youtube https://www.youtube.com/watch?v=SbyNyjSzxAg%5D]

David Bowie, [ˈboʊi]; pseud. di David Robert Jones (Londra, 8 gennaio 1947), è un cantautore, polistrumentista, attore e compositore britannico.

Attivo dalla metà degli anni sessanta, Bowie ha attraversato cinque decenni della musica rock, reinventando nel tempo il suo stile e la sua immagine e creando alter ego come Ziggy Stardust, Halloween Jack, Nathan Adler, e The Thin White Duke (noto in Italia come il “Duca Bianco”). Dal folk acustico all’elettronica, passando attraverso il glam rock, il soul e il krautrock, David Bowie ha lasciato tracce che hanno influenzato molti artisti.[1]

Come attore, dopo alcune piccole apparizioni ha avuto un ottimo successo nel 1976 come protagonista del film di fantascienza L’uomo che cadde sulla Terra di Nicolas Roeg. Tra le sue interpretazioni più note si ricordano Furyo (Merry Christmas Mr. Lawrence) di Nagisa Oshima del 1983, Absolute Beginners e Labyrinth del 1986 e Basquiat di Julian Schnabel del 1996 nel quale interpreta il ruolo di Andy Warhol.

David Bowie è sposato dal 1992 con la modella somala Iman Mohamed Abdulmajid ed ha due figli, Duncan Zowie Haywood (nato nel 1971 dal precedente matrimonio con Mary Angela Barnett) e Alexandria Zahra (nata nel 2000), oltre a Zulekha, nata dal precedente matrimonio di Iman. Nel 2008 è stato inserito al 23º posto nella lista dei 100 migliori cantanti secondo Rolling Stone[2], e tra le sue migliori “tracce vocali” ci sono Life on Mars?, Space Oddity, Starman ed Heroes[3]. Nel 2007 è secondo la rivista Forbes al quarto posto nell’elenco dei cantanti più ricchi del mondo[4].

Al ritmo di un disco all’anno, Bowie per parecchi anni nel bene e nel male non si è mai limitato a creare un “marchio Bowie” uguale a se stesso e rassicurante: dalle nostalgie beat con Pin Ups, agli incubi orwelliani di Diamond Dogs, al R&B bianco con Station to Station e Young Americans, all’electro pop intellettuale che, secondo molti critici, costituirà la fase più creativa della sua carriera fra il 1977 e il 1979, con la cosiddetta trilogia berlinese di Low, Heroes e Lodger, album in realtà (salvo il secondo) realizzati solo parzialmente a Berlino, ma comunque fortemente influenzati dalle contaminazioni tra rock ed elettronica di cui erano maestri i Kraftwerk e i Neu!, gruppi entrambi tedeschi.

Decisivo l’incontro con Brian Eno, altro reduce dal glam-rock dei primi settanta con i Roxy Music del dandy Bryan Ferry. Altrettanto decisivo un successo ormai consolidato che permette all’artista di sperimentare soluzioni nuove senza inseguire il riscontro commerciale. Nel frattempo il personaggio non è più l’androgino Ziggy Stardust ma un thin white duke (sottile duca bianco) dalle inquietanti suggestioni androgine sotto uno stile musicale esteriormente sempre più virile, colto, e raffinato.

https://it.wikipedia.org/wiki/David_Bowie
David Bowie (/ˈboʊ.i/;[1] born David Robert Jones, 8 January 1947) is an English singer, songwriter, multi-instrumentalist, record producer, arranger, and actor. He is also a painter and collector of fine art.[2] Bowie has been a major figure in the world of popular music for over four decades, and is renowned as an innovator, particularly for his work in the 1970s. He is known for his distinctive baritone voice as well as the intellectual depth and eclecticism of his work. Aside from his musical abilities, he is recognised for his androgynous beauty, which was an iconic element to his image, particularly in the 1970s and 1980s.[3][4]

Bowie first caught the eye and ear of the public in July 1969 when his song “Space Oddity” reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single “Starman” and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie’s impact at that time, as described by biographer David Buckley, “challenged the core belief of the rock music of its day” and “created perhaps the biggest cult in popular culture.”[5] The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

In 1975, Bowie achieved his first major American crossover success with the number-one single “Fame” and the hit album Young Americans, which the singer characterised as “plastic soul”. The sound constituted a radical shift in style that initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album Low (1977)—the first of three collaborations with Brian Eno over the next two years. Low, “Heroes”, and Lodger, the so-called “Berlin Trilogy” albums, all reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single “Ashes to Ashes”, its parent album Scary Monsters (and Super Creeps), and “Under Pressure”, a 1981 collaboration with Queen. He then reached a new commercial peak in 1983 with Let’s Dance, which yielded several hit singles. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. He has not toured since the 2003–04 Reality Tour and has not performed live since 2006. Bowie’s latest studio album The Next Day was released in March 2013.

David Buckley says of Bowie: “His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure.”[5] In the BBC’s 2002 poll of the 100 Greatest Britons, Bowie was placed at number 29. Throughout his career, he has sold an estimated 140 million albums.[6] In the UK, he has been awarded nine Platinum album certifications, 11 Gold and eight Silver, and in the US, five Platinum and seven Gold certifications. In 2004, Rolling Stone ranked him 39th on their list of the “100 Greatest Artists of All Time”, and 23rd on their list of the best singers of all time.

https://en.wikipedia.org/wiki/David_Bowie

Cream Live in Royal Albert Hall


I Cream sono stati una band rock britannica attiva tra il 1966 e il 1968, che, rivisitando vecchi schemi del blues, riuscì ad innovare il rock in generale,[3] influenzando molti artisti, tra i quali Jimi Hendrix,[3] Queen[4], Black Sabbath[5] e Van Halen.[6] Formati dal chitarrista Eric Clapton, dal bassista Jack Bruce e dal batterista Ginger Baker, furono il primo power trio ad aver avuto notevole successo[1][7][8] e uno dei primi supergruppi della storia.[1][3][7][8]

Nei soli tre anni di attività il gruppo riuscì a pubblicare tre album[9] e a vendere 15 milioni di dischi.[3][8] Dopo lo scioglimento del gruppo, i tre componenti ebbero delle carriere molto diverse tra loro: Clapton divenne uno dei musicisti più conosciuti del mondo, grazie a canzoni come Layla e Cocaine, Bruce collaborò con artisti jazz, mentre Baker si dedicò alla world music.[3] Tuttavia, la band si riunì in due occasioni: nel 1993, per suonare alla cerimonia della loro introduzione nel Rock and Roll Hall of Fame, e nel 2005, esibendosi in quattro concerti al Royal Albert Hall di Londra e in due al Madison Square Garden di New York.[8]

In una classifica stilata nel 2003 dalla rivista Rolling Stone, sono tra i 100 migliori artisti di sempre, figurando al 67º posto.[10] L’emittente VH1 ha classificato il gruppo al sedicesimo posto tra i 100 migliori artisti hard rock di sempre.

https://it.wikipedia.org/wiki/Cream

Cream were a 1960s British rock supergroup power trio consisting of bassist/singer Jack Bruce, drummer Ginger Baker, and guitarist/singer Eric Clapton. Their unique sound was characterised by a hybrid of blues rock, hard rock and psychedelic rock,[1] combining psychedelia themes, Clapton’s blues guitar playing, Bruce’s powerful, versatile vocals and prominent bass playing, Baker’s pulsating, jazz-influenced drumming and Pete Brown’s poetry-inspired lyrics. The group’s third album, Wheels of Fire, was the world’s first platinum-selling double album.[2][3] The band is widely regarded as being the world’s first successful supergroup.[4][5][6][7] In their career, they sold over 15 million albums worldwide.[8] Their music included songs based on traditional blues such as “Crossroads” and “Spoonful”, and modern blues such as “Born Under a Bad Sign”, as well as more eccentric songs such as “Strange Brew”, “Tales of Brave Ulysses” and “Toad”.

The band’s biggest hits are “I Feel Free” (UK, number 11),[3] “Sunshine of Your Love” (US, number 5),[9] “White Room” (US, number 6),[9] “Crossroads” (US, number 28),[9] and “Badge” (UK, number 18).[10] The band made a significant impact on the popular music of the time, and, along with Jimi Hendrix, and Terry Kath of Chicago, popularised the use of the wah-wah pedal. They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of British bands such as Led Zeppelin, The Jeff Beck Group and Black Sabbath in the late 1960s and the early 1970s. The band’s live performances influenced progressive rock acts such as Rush.[11] The band was inducted into the Rock and Roll Hall of Fame in 1993.[12] They were included in both Rolling Stone and VH1’s lists of the “100 Greatest Artists of All Time,” at number 67 and 61 respectively.[13][14] They were also ranked number 16 on VH1’s “100 Greatest Artists of Hard Rock”

https://en.wikipedia.org/wiki/Cream_(band)

Occhi d’anima – Eyes of the soul


Occhi d’anima

Piccolo ed arabescato
ricamo d’amore
solo il sensibile dono
di chi ha occhi nell’anima
ne spande il delicato aroma
con tacito e soave profumo

27.08.2003 Poetyca

Eyes of the soul

Small and guilloche
Embroidery of love
only the significant gift
of those who have eyes in the soul
it spreads the delicate aroma
with silent and sweet scent

27.08.2003 Poetyca

Nei giardini dell’anima – In the gardens of the soul


Nei giardini dell’anima

Sono gocce di cielo
ad arricchire chi le accoglie
Piccole lucciole che segnano
l’emozionato cammino di vita

Sono vibranti attimi
di un universo che si espande
a colorare d’energia d’amore
tutti i silenzi e le attese vive

Sono sospiri e brezze
che profumano come petali
i percorsi nei giardini dell’anima
a regalarsi in sensibile abbandono

30.06.2003 Poetyca

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In the gardens of the soul

There are drops of heaven
to enrich those who accept
Little fireflies that mark
the emotional journey of life

Are vibrant moments
of an expanding universe
energy of love to color
all the silences and the expected lives
There are sighs and breezes
that smell like petals
paths in the gardens of the soul
treat yourself to a marked drop
30.06.2003 Poetyca

Chi credi che io sia? – Who do you think I am?


Chi credi che io sia?

La vita stessa
contiene sorriso
a volte per velare
la sottile tristezza
di chi vibra
in sensibile sentire
e del mondo conosce
le ferite amare

Il cammino di passi
tra dune di sabbia
scottandosi al sole
e in silenzi magici
dove emozione vive

Mani aperte
sotto la pioggia
trasparenti gocce
si fan dono
per lavare tristezza
di momenti incerti
e nel cuore musica

Suono che apre
nuovi colori
ad atmosfere terse
alla presenza
di magiche danze

Ed una sola
è la domanda
che il vento porta :
“Chi credi che io sia?”

08.06.2003 Poetyca

Who do you think I am?

Life itself
contains smile
sometimes to veil
the thin sadness
of those who vibrates
in a sensitive feeling
and of the world knows
bitter wounds

The journey of steps
between sand dunes
burn in the sun
silence and magic
where emotions alive

Open hands
under the rain
transparent droplets
become a gift
sadness to wash
of uncertain times
and in the heart music

Sound that opens
new colors
and clear atmospheres
with presence
of magic of dance

And only one
is the question
that the wind blows:
“Who do you think I am?”

08.06.2003 Poetyca

Fratello orso – Brother Bear


Fratello Orso
E dove lo spazio non esiste
si abbattono distanze
– ovunque la voce dello Spirito –
E dove i sentieri raccontano le storie
di popoli e percorsi
di lune e stagioni
sono le Primavere nuove
ad avvolgere di saggezza
l’ Orso e l’Aquila
– fratelli di sangue –
mentre il Grande Spirito sorride
Praterie e ciuffi d’erba
che ondeggiano nel vento
profumi e ricordi
che scorrono nelle vene
nell’orgoglio di memorie
che non si cancellano
Fratello Orso respira e sorridi
per tutto il tempo che hai vissuto
sorridi per quello che vivrai
perché non sei solo
e mai lo sarai
22.11. 2003 Poetyca

Brother Bear

Where space does not exist
they fall distances
– wherever the voice of the Spirit –
And where the trail tell the stories
of people and locations
moons and seasons
Springs are the new
to wind of wisdom
‘s Bear and the Eagle
– blood brothers –
as the Great Spirit smiles
Grasslands and tufts of grass
swaying in the wind
scents and memories
flowing in the veins
pride of memories
that are not cleared
Brother Bear breathe and smile
for as long as you have lived
Smile for what you will live
because you’re not alone
and never will be

22.11. 2003 Poetyca

Erba nuova – New grass


Erba nuova

Cresce l’erba
alimentata dalla luna
nuove forze
occultano il sapere

Passi sotterranei
proiezioni in spazi
che non si conoscono

Nel deserto
spunterà l’erba

Sarà il tempo
del nuovo seme
che ripopolerà la terra
dopo il gran vuoto

Erba nuova
ed il futuro
respira ancora

Nessuna lacrima
era nascosta

16.09.2003 Poetyca

New grass

Grass grows
powered by the moon
new forces
mask the know

Underground passages
projections into spaces
who do not know

In the desert
the grass shall grow

Time will
of new seed
ripopolerà that the earth
after the great void

New grass
and the future
still breathing

No tear
was hidden

16.09.2003 Poetyca

Caino uccide – Cain kills


Caino uccide

Domande che tutti ci poniamo :
nessuna risposta giunge
nessuna giustizia umana

Solo vittime
ancora !

Più facile gettare nel mucchio
degli innocenti
le bombe
e chiamarla lotta
che prendere in mano
la propria impotenza
per costruire

Ditemi a che serve
– dove il senso –
della violenza voluta
contro chi senza sapere
oggi è morto

Quali le colpe
e le condanne ?

– Caino uccide-

e nel cuore nostro
grondano ferite

13.03.2003 Poetyca

Cain kills

Questions we all say:
No answer comes
no human justice

Only victims
again!

Easier to throw in the pile
innocent
bombs
and call the fight
that pick up
its impotence
to build

Tell me what good
– Where the sense –
deliberate violence
against those who without knowing
died today

What are the faults
and convictions?

– Cain kills-

and in our hearts
dripping wounds

13.03.2003 Poetyca